1929: La muchacha de Londres (Blackmail), de Alfred Hichtcock.
Frank Webber (John Longden), detective de Scotland Yard, y Alice White (Anny Ondra, doblada por Joan Barry) son una joven pareja que vive en Londres. Alice, despechada por tener una discusión con su novio, porque ha llegado tarde a la cita que tenía con ella por su trabajo, decide salir esa noche con otro hombre, un pintor (Cyril Ritchard) que le invita a subir a su apartamento. Ella en un principio rechaza la invitación, pero acaba aceptando subir. Allí, el pintor intenta violarla y ella, en defensa propia, le mata a puñaladas. Después saldrá borrando todas sus huellas en el apartamento, pero se deja olvidados sus guantes.
Uno de esos guantes lo encontrará su novio Frank al investigar el caso al día siguiente, y lo reconoce como perteneciente a Alice. Decide ocultarlo y hablar directamente con ella. Cuando le enseña a Alice el guante y esta va a explicarse, un desconocido les aborda, con el otro guante en su poder y chantajea a Alice con contarlo todo a Scotland Yard si no le da todo lo que él le pida. Frank acusará entonces al chantajista del crimen, y todo se precipitará, siendo el British Museum escenario de un macabro suceso...
1930: El ángel azul (Der blau Engel), de Joseph von Sternberg.
Adaptación cinematográfica de la novela "Profesor Unrath" de Heinrich Mann. Narra la tragedia de un severo profesor que una noche va a "El Ángel Azul", un cabaret de mala fama, para llevarse de allí a sus alumnos, que acuden al local seducidos por los encantos de la cantante Lola-Lola (Dietrich). Sin embargo, el profesor Rath, un solterón de 50 años, acaba cayendo en las redes de la cabaretera. A partir de entonces, su vida será un descenso a los infiernos de la humillación y de la degradación moral.
1931: Frankenstein (Frankenstein), de James Whale.
Heinrich "Henry" Frankenstein (Colin Clive), an ardent young scientist, and his devoted assistant Fritz (Dwight Frye), a hunchback, piece together a human body, the parts of which have been secretly collected from various sources. Frankenstein's consuming desire is to create human life through various electrical devices which he has perfected.
Elizabeth (Mae Clarke), his fiancée, is worried to distraction over his peculiar actions. She cannot understand why he secludes himself in an abandoned watch tower, which he has equipped as a laboratory, refusing to see anyone. She and her friend, Victor Moritz (John Boles), go to Dr. Waldman (Edward Van Sloan), his old medical professor, and ask Dr. Waldman's help in reclaiming the young scientist from his absorbing experiments. Waldman tells them that Frankenstein has been working on creating life. Elizabeth, intent on rescuing Frankenstein, arrives just as Henry is making his final tests. He tells them to watch, claiming to have discovered the ray that brought life into the world. They all watch Frankenstein and the hunchback as they raise the dead creature on an operating table, high into the room, toward an opening at the top of the laboratory. Then a terrific crash of thunder, the crackling of Frankenstein's electric machines, and the hand of Frankenstein's monster (Boris Karloff) begins to move. This causes Frankenstein to shout 'It's alive!'
Through the incompetence of Fritz, a criminal brain was secured for Frankenstein's experiments instead of the desired normal one. The manufactured monster, despite its grotesque form, initially appears not to be a malevolent beast but a simple, innocent creation. Frankenstein welcomes it into his laboratory and asks his creation to sit, which it does. He then opens up the roof, causing the monster to reach out towards the sunlight. Fritz, however, enters with a flaming torch, which frightens the monster. Its fright is mistaken by Frankenstein and Dr. Waldman as an attempt to attack them, and so it is taken to the dungeon where it is chained. Thinking that it is not fit for society and will wreak havoc at any chance, they leave the monster locked up, where Fritz antagonizes it with a torch. As Henry and Dr. Waldman consider the fate of the monster, they hear a shriek from the dungeon. Frankenstein and Dr. Waldman rush in to find the monster has strangled Fritz. The monster makes a lunge at the two but they escape the dungeon, locking the monster inside. Realizing that the creature must be destroyed, Henry prepares an injection of a powerful drug and the two conspire to release the monster and inject it as it attacks. When the door is unlocked the creature emerges and lunges at Frankenstein as Dr. Waldman injects the drug into the creature's back. The monster knocks Dr. Waldman to the floor and has nearly killed Henry when the drug takes effect, and he falls to the floor unconscious.
Henry leaves to prepare for his wedding while Dr. Waldman conducts an examination of the unconscious creature. As he is preparing to begin dissecting it, the creature awakens and strangles him. It escapes from the tower and wanders through the landscape. It then has a short encounter with a farmer's young daughter, Maria (Marilyn Harris), who asks him to play a game with her in which they playfully toss flowers into a lake and watch them float. The monster enjoys the game, but when they run out of flowers, tragedy occurs. Due to his defective brain, the monster thinks Maria (unable to swim) will float as well as the flowers, so he picks her up and throws her into the lake, and the girl drowns. Realizing he has made a terrible mistake, the monster walks away feeling troubled and remorseful. This drowning scene is one of the most controversial in the film, with a long history of censorship.
With preparations for the wedding completed, Frankenstein is once again himself and serenely happy with Elizabeth. They are to marry as soon as Dr. Waldman arrives. Victor rushes in, saying that the Doctor has been found strangled in his operating room. Frankenstein suspects the monster. A chilling scream convinces him that the monster is in the house. When the searchers arrive, they find Elizabeth unconscious on the bed. The monster has escaped. He is intent only upon destroying Frankenstein.
Meanwhile, Maria's father arrives, carrying the body of his daughter. He says she was murdered, and an enraged band of peasants search the surrounding country for the monster. They are split into three groups, Frankenstein leading one into the mountains. He becomes separated from the band and is discovered by the monster who, after the two stare each other down for a curious moment, attacks him. After a struggle, in which Frankenstein's torch fails to save him, the monster knocks Frankenstein unconscious and carries him off to the old mill. The peasants hear his cries and follow. Upon reaching the mill, they find the monster has climbed to the very top, dragging Frankenstein with him. In a burst of rage, he hurls the young scientist to the ground. His fall is broken by the vanes of the windmill, saving him from instant death. Some of the villagers hurry him to his home while the others remain to burn the mill and destroy the entrapped monster.
Later, back at Castle Frankenstein, Frankenstein's father, Baron Frankenstein (Frederick Kerr) celebrates the wedding of his recovered son with a toast to a future grandchild.
Henry Frankenstein is a brilliant scientist who has been conducting experiments on the re-animation of lifeless bodies. He has conducted experiments on small animals and is now ready to create life in a man he has assembled from body parts he has been collecting from various sites such as graveyards or the gallows. His fiancée Elizabeth and friend Victor Moritz are worried about his health as he spends far too many hours in his laboratory on his experiments. He's successful and the creature he's made come to life is gentle but clearly afraid of fire. Henry's father, Baron Frankenstein, bring his son to his senses and Henry agrees that the monster should be humanely destroyed. Before they can do so however, the monster escapes and in its innocence, kills a little girl. The villagers rise up intent on destroying the murdering creature. Written by garykmcd
Dr. Frankenstein creates a monster from various posthumous 'donors' and combines them into a massive creature, to whom he wishes to bestow life. The movie centers on this monster and his struggle in this 'life after death'.
1935: La kermese heroica (La kermese heroique), de Jacques Feyder
Boom, un pequeño y tranquilo pueblo flamenco, va a ser visitado por los tercios españoles durante los años de la hegemonía hispánica. Mientras los hombres del pueblo se muestran cobardes, las mujeres deciden salir amistosamente al encuentro de los ejércitos católicos y de su jefe.
1939: Ninotchka (1939), de Ernest Lubitsch.
Tres representantes del gobierno de la URSS llegan a París con la intención de vender unas joyas pertenecientes a la Gran Duquesa. Tras conocer la noticia, la Gran Duquesa le envía a su amante y bon vivant el conde d'Algou que muestra a los tres rusos las ventajas y placeres del capitalismo. Sin noticias alentadoras de París, Moscú decideenviar una persona para averiguar la razón de que la venta no avance. La enviada especial será Ninotchka, una convencida comunista, práctica, pragmática y analítica. Casualmente una tarde conoce al conde que se siente fascinado por ella, sin saber que ella es el enemigo. Poco a poco el conde va derritiendo la frialdad de Ninotchka y ambos se enamoran. Pero la intervención de la Gran Duquesa que está celosa de Ninotchka provoca que tenga que volver a la URSS. Una vez allí, no puede recibir noticias de su amado, pero cuando tiene que ir a Constantinopla por trabajo, se encuentra con que su amado está allí esperándola.
1939: La diligencia (Stagecoach), de John Ford.
En un pueblo de Arizona, la liga por las buenas costumbres y la decencia deciden expulsar del pueblo a Dallas, una prostituta, y al doctor Boone, un médico bo